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A short manifesto Work Resisting categorisation, my works are characterised by a pared-down, minimalist style of performance with a devoted attention to detail. I hold a strong commitment to exploring ways through which the body can make manifest and reveal the human condition and preserve the significance of craft as an operational mode for experimentation […]
February 10, 2022
Ever After Meeting history Ever After started as a need to re-emerge a story of death, from the history of dance through time: looking into dance Macabre, a lover’s lament duet in the romantic era, death as an encounter of postmodern dance, and finally death as a dark memory and echo of a narrative. The […]
January 25, 2022
Do you think there is a contemporary dance scene in Greece? Can you identify its characteristics? It depends on how we define the term scene. What would be its main characteristic, what is the read thread that connects the actors in the field, what constitutes a scene? Its homogeneity? Its plurality? Its recognisable identity? What […]
January 25, 2022
questions As long as the boundaries between artistic fields are fluid and boundless, I seek as a performer, as a creator and as a viewer, the new in the ever-same and the same in the new. My work connects choreography and performance with video, photography and stage experimentations. The cross-disciplinary works I create focus on […]
January 25, 2022
What has changed, what are the developments in your work, since the last interview? The work is shaped and evolves along two axes: on the one hand, the practice of creating dance performances that focus on the body and its possibilities and, on the other hand, the design of research programmes of interdisciplinary interest. The […]
fromstagetopage 
February 10, 2022
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